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PORTRAIT YANG DI PERTUAN AGONG MALAYSIA YANG KE 16 AL SULTAN ABDULLAH

Commissioned Painting by The House Of Parliament Malaysia ( Tempahan dari Parlimen Malaysia) Portrait Painting of Al-Sultan Abdullah Ri'ayatuddin Al-Mustafa Billah Shah ibni Almarhum Sultan Haji Ahmad Shah Al-Musta'in Billah (Jawi: السلطان عبدالله رعاية الدين المصطفى بالله شاه الحاج ابن المرحوم سلطان حاج احمد شاه المستعين بالله) (born 30 July 1959) is the 16th Yang di-Pertuan Agong (head of state) of Malaysia and the sixth Sultan of Pahang. He was proclaimed as Sultan on 15 January 2019, succeeding his father, Sultan Ahmad Shah, whose abdication was decided at a Royal Council meeting on 11 January.On 24 January 2019, days after his accession to the throne of Pahang, he was elected as the 16th Yang di-Pertuan Agong of Malaysia. He was sworn in on 31 January. He was also a member of the FIFA Council from 2015 to 2019. ( Wikipedia)




THE TIME-LAPSE VIDEO PROCESS PART BY PART
PROCESS 1. TIME-LAPSE OF THE DETAIL DRAWING/SKETCHpreparation of the portrait, before I start with oil painting…

Collective Individual, Group Exhibition Kuala Lumpur

This 2 paintings below is available to view at The Group Exhibition "COLLECTIVE INDIVIDUALS" at

URBANSCAPE HOUSE.
2 Jalan Kasturi,
60060 Kuala Lumpur

The exhibition running until 21 May , 2017

COLLECTIVE | Individuals is a project which sets out to interact with currently active art collectives in Malaysia to co-curate and co-organise group exhibitions, in continuing to diversify and enrich the local art ecosystem.



Title: Violence Pornography I
Medium: Oil Painting On Canvas
Size: 60.9 cm x 121 cm
Year: 2017

Title: Violence Pornography II
Medium: Oil Painting On Canvas
Size: 60.9 cm x 121 cm
Year: 2017

This painting was inspired by the article "Pornography and Sexual Violence" by Robert Jensen and  Debbie Okrina

http://vawnet.org/material/pornography-and-sexual-violence

Commercial pornography in the WORLD is at the same time increasingly more normalized and more denigrating to women. There is understandable interest in the question about the connection between pornography and sexual violence. Rather than asking "does pornography cause rape?" we would be better served by investigating whether pornography is ever a factor that contributes to rape. In other words, Is pornography implicated in sexual violence in this culture?
There are limits to what research can tell us about the complex interactions of mass media and human behavior. But from both laboratory research and the narratives of men and women, it is not controversial to argue that pornography can: 
(1) be an important factor in shaping a male-dominant view of sexuality; 
(2) be used to initiate victims and break down their resistance to unwanted sexual activity; 
(3) contribute to a user's difficulty in separating sexual fantasy and reality; and 
(4) provide a training manual for abusers.
These conclusions provide support for the feminist critique of pornography that emerged in the 1970s and '80s, which highlighted pornography's harms to the women and children: 
(1) used in the production of pornography; 
(2) who have pornography forced on them; 
(3) who are sexually assaulted by men who use pornography; and (4) living in a culture in which pornography reinforces and sexualizes women'ssubordinate status.
People who raise critical questions about pornography and the sex industry often are accused of being prudish, anti-sex, or repressive, but just the opposite is true. Such questions are crucial not only to the struggle to end sexual and domestic violence, but also to the task of building a healthy sexual culture. Activists in the anti-violence and anti-pornography movements have been at the forefront of that task.

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